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2 years ago
Convincing Michelle Obama to Become My Best Friend For Lyfe: A Somewhat Critical Media Analysis of and A Simultaneous Tribute to the First Lady.
"problems which face these black officials who must persuade the white community that they are above issues of race and that they are representing all people and not just black people," as opposed to creating "two separate social structures." Michelle Robinson, Princeton, 1985
"She goes to Princeton and still complains. It's enough to make an American sick. What is she after exactly, the total destruction of the WASP contribution to Western Civ and United States history? They barely let Poles and Italians into Princeton, they most certainly aren't given preferences like Michelle Obama received, but would they complain about WASP culture? No, they'd learn from it and respect it. She sucks. Pure and simple. What an ingrate."
"PS: We paid for her scholarship."
"Nappy Headed Ho."
The deployment of both "lady" and "back" can be viewed as problematic. First, discourses about mythologized "ladies" didn't initially include black women. A "lady" was a woman or wife who innately possessed such virtues as delicacy, piety, beauty, politeness and gentleness. Black women, who were not seen as "ladies," "women" or wives, were historically not privy to such designation. Historically speaking, this was a term reserved for white women. And let me just say upfront, this was not necessarily a compliment. As I understand it, "lady" was just as imprisoning as the more derogatory terms used for black female slaves -- just in a different way.
Secondly, there is a long history of discourses regarding harmfully reductive views of black women's "backs." Black women have been pathologized and objectified because of their "backs," which, by the way, come in all shapes and sizes just like those of other men and women. Sir Mix-a-Lot's hit song, "Baby Got Back," was only the tip of the iceberg. The cultural chorus regarding black women's bodies, particularly their fragmented backside, had been singing for centuries. Sir Mix-a-Lot simply joined in. Or did he? (source)
In short, if we are not more careful in our utilization of language and not more forthright in our criticisms of the language of others, we run the risk of reinforcing historical ideals of black female sexual savagery at the highest level. This is very dangerous. So, if Michelle Obama's body makes us proud, why not shape our enthusiasm with a critique of the status quo, which continues to treat her as an object by fragmenting her to her parts? Obama is a subject -- more than a body, and, more than a butt. Inscribing her with words without carefully evaluating their operation first is beyond distressing. It is death dealing. Not just to her, but to all women. (source)
Michelle Obama: Camelot 2.0?
With her sheath dresses and his Berlin moment, the Obamas seem to be playing the Kennedy card. Is Michelle tempering her South Side Chicago strength with Jackie's softer sell to help Barack capture the White House? And what might that strategy cost her?
By Geraldine Brooks
Here, some choice quotes from Obama:
Asked if she believed in the James Baldwin quote, "Male in female, female in male, white in black and black in white":"I didn't believe that as a child, no. Or as a teenager." She began to believe what Baldwin wrote only much later, she says, when her working life brought her in close to a wide range of people. "When you live in the world a bit more and you have more exposure to people and their values and their true souls, you make friends, you make enemies, you roll up your sleeves and work with people. You find out that our spirits are more connected. ... People who think they wouldn't like someone of a different race always find someone they like and come to trust. And then they treat that person as the exception, when in fact [she] is probably more the rule."
On trust:"Trust has no color. I've come to realize that, and I think that we're beginning to realize that as a nation."
On "work-family balance":"What I found myself -- and most of my friends -- doing is we just cope. We're taught that as women: Just handle it. Just adjust. We accommodate to things that aren't healthy instead of turning around and going, 'This has got to change.'"
On feeling guilty as a working mom:"It's like, oh, so you take half a salary and you do the same amount of work. They don't take anything off your plate ... I was always guilty, 100 percent of the time. 'Am I doing my job to the fullest? Am I being the kind of mother I want to be to the fullest?'"
On the unusual way she secured her job at University of Chicago Medical Center while on maternity leave with her second child:"I'll do this as a courtesy, demand a whole bunch of stuff he's not going to give me, [the president] will say no, and we'll be done." To make the point, she went to the interview with 2-month-old Sasha in her arms. "I had on a breastfeeding top. I strolled in: 'Hi! This is me! New baby! ... And I said, I can't be in your office all afternoon in meetings. Also, I can't be your diversity -- a nice person who could 'represent.'" To her astonishment, he said yes to everything.
On how being over 40 helps her weather the criticism:"This might be a confusing journey if I were 30 or 20. But at 44, fortunately, I'm more comfortable with who I am and I'm more clear about who I am. Had I done this 10 years ago, I don't think I could have done it with as much enjoyment. It would have been more painful. Now all the hard stuff really just rolls off your back."
On what politics has taught her:"You don't pay attention to the highs and lows. And you embrace the positive. If you talked to my mom, we were raised just like that."
Read the full article in the October 2008 issue of MORE magazine.
"That you treat people with dignity and respect, even if you don't know them, even if you don't agree with them."
"Barack stood up that day, and spoke words that have stayed with me ever since. He talked about "The world as it is" and "The world as it should be." And he said that all too often, we accept the distance between the two, and settle for the world as it is – even when it doesn't reflect our values and aspirations. But he reminded us that we know what our world should look like. We know what fairness and justice and opportunity look like. And he urged us to believe in ourselves – to find the strength within ourselves to strive for the world as it should be. And isn't that the great American story?"
Section 315 [47 U.S.C. §315] Facilities for candidates for public office.
If any licensee shall permit any person who is a legally qualified candidate for any public office to use a broadcasting station, he shall afford equal opportunities to all other such candidates for that office in the use of such broadcasting station: Provided, That such licensee shall have no power of censorship over the material broadcast under the provision of this section. No obligation is hereby imposed under this subsection upon any licensee to allow the use of its station by any such candidate.
"The term "Camelot" was applied to the presidency of John F. Kennedy (1917–1963) by his wife, Jacqueline Bouvier Kennedy (1929–1994). Camelot refers to the seat of the court of the legendary King Arthur and the Knights of the Round Table; it has come to mean a place or time of idyllic happiness. (Arthur was a British king; the Round Table was the name for his knights.) Shortly after John F. Kennedy was assassinated on November 22, 1963, the former first lady was talking with a journalist. She described the years of her husband's presidency (1960–63) as an American Camelot, a period of hope and optimism in U. S. history, and asked that his memory be preserved. She had shown fortitude (ability to deal with adversity or pain) and grace as she guided her family and the country through the president's funeral and was one of America's most beloved first ladies."
Due to the charismatic and stylish couple inhabiting 1600 Pennsylvania Avenue, the Kennedy White House became known as Camelot. Alan Jay Lerner, Kennedy’s Harvard classmate, had penned the hit song "Camelot" for the Broadway musical, a personal favorite of President Kennedy. The tune quickly became the unofficial theme of the Kennedy administration. (Source)
Camelot is a term used to describe the administration of United States President John F. Kennedy, based on the musical Camelot. The Burton/Andrews production opened in December 1960, a few weeks after Kennedy's election, and was a favorite of both the President and his wife, Jackie. Jackie gave an interview to Life journalist Theodore White shortly after the President's November 22, 1963, assassination in which she used some favorite lines from the musical, and that theme was often repeated in the press. "The lines he loved to hear were: Don't let it be forgot, that once there was a spot, for one brief shining moment that was known as Camelot." And to Jackie, it would never be that way again.
Let's make history and let this be the BEST seller for Newsweek magazine. Pass it on.
This week make sure you purchase a copy of Newsweek Magazine with Mrs. Michelle Obama on the cover. I am VERY proud to see this beautiful, intelligent, African American woman on the cover of this internationally renowned magazine. GO TODAY, TOMORROW, or by THURSDAY and PURCHASE a copy of this publication. Make your voice and dollar count by making the newsstand sales of this issue surpass, not only their projected sales but make history. We have to continue to tell the media that WE DO PURCHASE and READ magazines featuring People of Color on their covers and this is a POSITIVE thing to do, not only for the 'political correctness' of it, but because we are AMERICANS of influence, power, and our presence 'Moves the proverbial needle' and sells product ( and not just CD's, Movies, Liquor, and Clothes).
Every day we are bombarded with images of African American women NAKED and DEGRADED. As Americans, we have sent images around the world that shows Black Women as objects and mindless subjects for men's pleasure. So it's a GREAT balance of TRUTH to have Ms. Obama standing Strong, powerful, and WITH A SMILE on the COVER of NEWSWEEK. Support this issue with your DOLLARS and let this media company know...GOOD JOB!!!!!
"Let's go to the new Filipino restaurant, because they're owned and run by Filipinos just like me!" "Let's go see this band play, since they all do excellent community work!" "Let's watch this film so that they know indie films matter!"
So, again, I am quite familiar with the sentiment.
To prove that Black/African-Americans "DO PURCHASE and READ magazines featuring People of Color" Commend Newsweek for putting POCs "on their covers...is a POSITIVE thing to do" and to "let this media company know...GOOD JOB!!!!!" To show that Black/African-Americans are "AMERICANS of influence, power, and our presence 'Moves the proverbial needle' and sells product" and that this community has economic influence beyond stereotypical associations with "CD's, Movies, Liquor, and Clothes" To show that there is more dimension to Black/African-American women, despite being frequently depicted as "NAKED and DEGRADED" and "objects and mindless subjects for men's pleasure" To show my best friend, "Ms. Obama standing Strong, powerful" To make this particular issue a best seller.
Be My Biffle by H. Ramos is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License.
Based on a work at bemybiffle.blogspot.com.